A latterday offering from the legendary LC Barreto stable, unfolding the bittersweet love story of Brazilian architect Lota de Macedo Soares and American poet Elizabeth Bishop against the backdrop of the incoming Brazilian dictatorship.
Through the eyes of an academic on the run, Kleber Mendonça Filho’s acclaimed, quixotic opus honours the irreplaceable, ordinary lives and stories that a corrupt dictatorship and its enforcers snuff out – and the struggle to hold onto integrity, memory and life itself.
One of the earliest feature films from Walter Salles (I’m Still Here), this is a dreamy, parched meditation on the wasteful futility of revenge.
No country does a road movie like Brazil – especially when the open road is the Amazon river.
Glauber Rocha’s thundering polemic on the corruption inherent in politics; banned in the early years of Brazil’s dictatorship, it stands as one of his most compelling works.
