Lower City’s toxic love triangle peers into the murky world of three young adults, muddling their way through life on the underside of Salvador, Bahia, who are wildly in love with each other; increasingly willing to betray each other; and completely unable to walk away from each other.
Karim Aïnouz’s neon-lit 2024 thriller is his most visually distinctive work yet, stirring up a tense, caged love story and an increasingly dangerous power struggle in the surreal environs of a seedy roadside motel.
One of the earliest feature films from Walter Salles (I’m Still Here), this is a dreamy, parched meditation on the wasteful futility of revenge.
